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Shooting Fireworks by tankm
Torch light...handy to have along, just in case you stationed yourself in dark location and need to look for things. Get one of those small LED torch, it's bright and the battery last a long, long time.
Other stuff that doesn’t need reminding is the memory cards and battery. Fully charge your battery before the start of show and you will have one less thing to worry. The A-100 battery life is really good, and one fully charged battery will definitely last the whole duration of your firework shot.

What do I need to prepare before the show?
Location...Find out as much as possible ab... Read More
Cool panoramic view

Shooting Low Light Concerts by mach
For smaller intimate club settings, wide angles may be useful especially if you have the opportunity to get really close. And if you’re into a comprehensive coverage of the event, the wide angles may come in handy capturing the entire stage or even the crowd.

However, bringing the entire arsenal may result in a lot of expensive gear being bumped around, or even dropped in the darkness. So be forewarned.

Shooting Modes
Full automatic can be extremely erratic in these conditions. A sudden drop in lighting and a misplaced shutter click, and you’ll be locked out of the action with... Read More

 
Tell-tale signs of a 'ham' user

Amateur Radio by Maza
“Amateur”, does not reflect their skill in handling these communication devices. They are more likely experts in the field. Amateur in this case is actually referring to the frequency bands permissible to be used by the governing body, away from commercialized bands where people make money out from it, like Celcom or Maxis to name a few.
How far can we go with ham radio? How far can we talk with other people? Well, as close to the person next door and to as far as the outer regions of space. Yes, with the right equipment, we can say hi to the astronauts too. Is that awesome? See the picture... Read More

 
The Setup

Wireless Flash Basics by macdude
So you just got your brand-new digital SLR and you're looking to get a couple of well-lit shots worthy of a coffee-table album when friends and family come for a visit. But reality soon hits when you click away with the built-in flash's limited capability. Solution? Buy a flashgun! Brilliant. Same subject, new toy and 50 shots later... you feel like returning the camera. Or chucking it in the bin!
Let's face it, every virgin photographer walks through the same hot coals. It's a ritual. It's a rite of passage. But more importantly, here's a quick guide to salvaging your pride and setting up ... Read More

 
Submission 1

Sekolah Agama Rakyat by musz
Di sebalik wajah ini terdapat bermacam-macam kisah suka duka para pelajar dan guru-guru sekolah ini. Guru lelaki di SAR akan dipanggil Ustaz manakala guru perempuan dipanggil Ustazah. Kelas di sekolah ini bermula pada pukul 2.30 petang sehingga 5.30 petang. Namun demikian terdapat juga pelajar yang datang lambat ke sekolah . Sekiranya lambat pelajar berikut akan cuba mengelak dari di ketahui oleh Ustaz dan Ustazah.

Sekolah ini mempunyai seramai lebih kurang 100 orang pelajar dan mempunyai sebanyak 6 kelas iaitu dari tahun 1 sehingga tahun 6. Manakala bilangan ustaz dan ustazah lebih kur... Read More

 
Ron illuminating the scene

Beginning Photography with Ron Yue
After Ron's talk, we all had a delicious lunch followed by 2 very different activities. The first was an outdoor shooting competition organized by Click Magazine. The objective was to use their creativity to capture images to best reflect the topics which were placed out for them. The topics were: Ancient Foundation, City Forest, Duck Season, Temple of Arts and Oasis.... Read More

 
Engaging the audience

Capturing Lee Hom-e
Shooting a concert requires a few things:

1. Suitable lenses
2. Good location
3. Understand of lighting
4. Backstage pass

Without these few elements, shooting concerts is no easy trick. Fortunately for me, I had 1 in the form of the 18-200mm which I brought along with me. Initially, I stuck with the Carl Zeiss Sonnar T* 135mm F1.8 but due to not having 2 and 4, I had to rely on the 18-200mm combined with my knowledge of 3.... Read More

 
Director's point of view

Behind The T100 TVC
For most of the shoot, I stuck with my Carl Zeiss Sonnar 135mm F1.8 even though I didn't have much room to work with. As this was a 'no-flash' set, I couldn't use my F56AM flash to illuminate the darker areas and relied solely on my Super Steady Shot Inside to do the work for me most of the time.... Read More

 
     
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